
Collina Strada Fall 2026
Hillary Taymour called the show The World Is a Vampire and, honestly… where’s the lie. Nobody in the room was about to argue—least of all the Collina Strada girlies she gathered up tonight, half of whom were wearing her signature bug-eye sunglasses indoors, at night, like absolute pros. Commitment to the bit. Respect. Taymour has always been very good at this part—the world-building part. From the bug sunglasses to the bug rings (collectible! obsessive! slightly unhinged!) to shoe collabs with Puma, Vans, and Ugg, she’s built a whole ecosystem.
Coach Fall 2026
Pinned to Stuart Vevers’s fall moodboard were all the usual suspects and then some: a baby-faced Jodie Foster, a sun-bleached California skateboarder, ’70s flares, and—because of course—a still from The Wizard of Oz, a movie he’s watched every year since he was a kid (which feels important, actually). Meanwhile, Coach’s Q2 numbers are doing their own little victory lap, skipping merrily down a very real gold brick road. Call it design wizardry. Call it timing. Either way, the brand is very much not lost in the woods.

Tory Burch Fall 2026
It started, apparently, with her dad’s corduroys. Which—OH MY GOD—feels almost aggressively normal in a moment where everything else feels… not. Tory Burch said she was asking herself the big question backstage (the one we’re all quietly panicking about): what actually lasts? What sticks around when the world feels loud and chaotic and kind of exhausting. And her answer wasn’t some grand, conceptual thesis—it was familiarity. Memory. Her father’s worn-in trousers. Practical. Slightly slouchy. Completely unpretentious. Clothes that have lived a life.

Lafayette 148 Fall 2026
Lafayette 148 started thirty years ago with the kind of clothes that don’t scream for attention—quiet, competent, very I’ve got this. A white button-up. Proper suiting. The basics. And after spending the last year doing the whole anniversary victory lap, Emily Smith decided to loop the fall collection straight back to the beginning. Not nostalgically, not sentimentally—but methodically. She went into the archives and started really looking. At how things were made. At seams. At construction. At the factory floor itself (which, honestly, feels kind of radical right now).
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Adele Aldighieri

Lafayette 148 Fall 2026

Dries Van Noten Spring 2025 Ready-To-Wear:
