Public art often takes the form of robust sculptures that inhabit our streets. Today, Junya Watanabe introduced an intriguing concept: our clothing choices serve as a personal form of public art, shaped by our daily selections. He achieved this by seamlessly integrating conventional clothing ensembles into boldly abstract expressionist forms.

The looks presented evoked associations with artists like Richard Serra, Alexander Calder, Elsworth Kelly, and even Pablo Picasso. Triangular prisms emerged initially, followed by intricate clusters of irregular black panels. Belts and straps, akin to clothing’s rivets and girders, melded with the sculptural shapes. Knitwear featured pointed shoulders, offering a subtly unconventional silhouette.

Most of the sculptural elements were monochromatic—predominantly black. Woolen topcoats, layered black knitwear, and light-catching pants took center stage. In a captivating twist, rose-print dresses appeared alongside bikers and topcoats, suggesting they could double as temporary pavilions at an art biennale. Later, moto-style armored panels and punk-studded leather shapes continued the exploration of clothing as public art. Lastly, a faux fur cloak draped over a Levi’s-collaboration black denim and poly-leather patched skirt challenged us to view this seemingly ‘normal’ ensemble as a dynamic sculpture, shaped by both the wearer’s movement and garment choices.

According to Warhol, fashion surpasses art in terms of artistic expression. However, this collection challenges that notion, asserting that art holds greater influence over fashion. Ultimately, the perspective you adopt—whether you wear your art or perceive your fashion—determines this delicate balance.