St. John’s Spring 2025 Ready-to-Wear Collection hit the New York Fashion Week runway with a mix of timeless sophistication and a splash of contemporary cool. Designed by Robert and Marie Gray, the lineup is all about blending classic elegance with a fresh, modern twist.

Kicking things off, the color palette is like a breath of fresh air—think soft pastels, vibrant corals, and serene blues, all evoking that springtime vibe of renewal and optimism. The fabrics? Pure luxury. Silk, chiffon, and lightweight knits dominate, bringing a tactile richness that makes each piece pop. The intricate textures and patterns play with light and shadow, adding that extra layer of depth and dimension that elevates the whole aesthetic.

Silhouettes in the collection are a nod to both the past and present, featuring tailored blazers, flowing dresses, and chic separates that scream versatility. These are pieces that can swing from a polished day look to an effortless evening ensemble without breaking a sweat. And the details—oh, the details! Delicate embroidery, subtle embellishments, and precise tailoring take center stage, proving that the magic is truly in the minutiae.

Accessories are no afterthought here. Statement belts, elegant scarves, and minimalist jewelry are the cherry on top, perfectly complementing each look and adding just the right amount of flair. 

In essence, the St. John Spring 2025 Collection is a masterclass in marrying tradition with innovation, catering to the modern woman who refuses to choose between style and substance. With its focus on quality, craftsmanship, and timeless appeal, it’s set to be a standout for fashion lovers everywhere.

Thompson has been focused on growing his brand, sharing in a recent interview that his label is finally breaking even as he works on expanding distribution. Returning to the runway after three seasons, he emphasized that Theophilio was never on pause: “I never stopped. I was still here, still working, still shaping my brand.”

This season’s collection, “Shaunie”—named after Thompson’s childhood nickname—embraced the theme of self-acceptance. With a focus on striking silhouettes, the lineup included colorful silk separates with tonal sequins, menswear styles featuring grommet details, and graffiti-printed slips. Thompson reflected, “I used to shy away from loud prints and colors because I wasn’t comfortable with the attention. Leaning into discomfort, embracing who you are—that’s growth.”

The night was filled with support from a community eager to see Thompson’s work. While familiar Theophilio staples dominated, there’s hope for more innovation next season as Thompson continues to evolve. As he put it, growth comes from embracing discomfort—perhaps next time, he’ll take even bolder steps.