This collection had a fresher, almost playful vibe by Versace standards—more sweet than sizzling. Think baby pastels, slip dress and cardigan sets, denim, and tiny shorts. Oh, and let’s not forget the perfume bottle and champagne glass heels. But the real magic was in the color combos—something you wouldn’t have seen in the old Versus days. Like that caramel camp shirt paired with lavender trousers? Or a copper tank with a lilac skirt? It hit that perfect balance of unexpected but somehow exactly right. And don’t even get me started on that men’s leather jacket in soft yellow and white, teamed with violet leather pants. Total standout.

And then there’s the tech. What looked like a gold sequin strapless dress on Anok Yai? Yeah, that was 3D-printed—no seams, just pure Versace hourglass perfection, meticulously crafted by a machine. It’s like the technology is bending to the will of fashion, creating something that feels as futuristic as it does iconic. Now, just imagine if an entire collection took that route. Think of the freedom—no limits to construction, no restraints from traditional sewing techniques. The fabric could be molded into any shape or form, creating textures and silhouettes we can’t even wrap our heads around yet. It opens the door to a level of experimentation that could be mind-blowing. What if dresses started to look like liquid metal, or if structure became fluid and movement was redefined? If Versace really leaned into this, the runway could become a playground for futuristic fantasy, where fashion meets sci-fi dreams. The future could literally be printed, and who knows what kind of wild, out-there creations we’d see next.