Zankov Fall 2025:

Zankov’s approach to design remains steadfastly his own—no moodboard theatrics, no blatant references, just pure, distilled craftsmanship. His Fall 2025 collection was yet another masterclass in color, texture, and technique, a signature triptych that continues to define his brand. There were whispers of Warhol’s Factory, but only in the most elusive, ephemeral way—quarter-sized paillettes on sweaters and skirts, shimmering beneath plush coats, conjuring an Edie Sedgwick night out at Paraphernalia before vanishing into something entirely Zankov’s.

A vivid knit in a reversed Argyle, tossed effortlessly over slouchy, boyish trousers, carried a quiet echo of Nico—minus the nostalgia, plus a modern sharpness. Zankov has been steadily expanding beyond knitwear, and here, the juxtaposition of fluid, elongated tailoring against his rich, tactile sweaters struck a perfect equilibrium between the clean and the decadent.

But more than references, this was about mood—his fearless palette, from dusky pink to acid chartreuse, and his bold technical innovations (engineered fringe, merino velvet blends, hyper-glossy Italian metallic tape) infused the collection with an intimacy that felt rare in today’s market. Like Rachel Scott of Diotima, Zankov is proving that New York fashion’s strength lies in deeply personal, artisanal storytelling.

This was work born of emotion. In his show notes, he mentioned two names—his friend Chloe and his boyfriend Andrew. That small tribute gave the collection an added resonance, a reminder that the best fashion isn’t just seen—it’s felt.