At New York Fashion Week Fall 2025, Tory Burch unveiled a collection that reimagined American sportswear with inventive twists. Held at the Museum of Modern Art, the show featured models descending a grand staircase to an eerie techno soundtrack, setting a dramatic tone.
Zankov’s approach to design remains steadfastly his own—no moodboard theatrics, no blatant references, just pure, distilled craftsmanship. His Fall 2025 collection was yet another masterclass in color, texture, and technique, a signature triptych that continues to define his brand. There were whispers of Warhol’s Factory, but only in the most elusive, ephemeral way—quarter-sized paillettes on sweaters and skirts, shimmering beneath plush coats, conjuring an Edie Sedgwick night out at Paraphernalia before vanishing into something entirely Zankov’s.
Johnson Hartig’s fall collection came full circle—literally—when he unearthed watercolor sketches he had stashed away two decades ago, originally inspired by Sonia Delaunay. In a moment of cosmic coincidence, Delaunay is currently enjoying renewed attention, with exhibitions at Bard and the Guggenheim—though Hartig only realized the connection after committing to the theme. His vibrant, expressionist prints adorned jackets trimmed with candy-colored marabou, glittering crystal embellishments, and a knockout pair of Larroudé boots. The designs even translated into grayscale knit separates, proving that Libertine’s signature maximalism can take on many forms.
