Joseph Fall 2026

Joseph is back on the runway. For the first time in almost a decade. Let that sink in for a second. The last show was September 2017—under Louise Trotter, who is now, casually, at Bottega Veneta. A lifetime ago in fashion years. Since then, the company that Joseph—built from a London hairdresser’s into a serious ready-to-wear name in the ’70s and ’80s—has been… let’s say, struggling. Quietly. Persistently. The kind of struggle that doesn’t scream but definitely hums in the background.

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Bora Aksu Fall 2026

So. Bora Aksu. Ghosts. Obviously. Not long ago, he was wandering the halls of the George & Dragon—this old 18th-century coaching inn in Buckinghamshire—and honestly, I can picture it so clearly it kind of rattles me. Dim corridors. Creaky floors. That feeling where the air feels… watched. He was looking for his next muse and—oh boy—he found her. A barmaid named Sukie. Two hundred years ago. Beautiful. Desired. And doomed (because of course).

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Roksanda Ilincic Fall 2026

This season, Roksanda Ilincic decided not to have a show, “but it comes with exciting news,” she said, “and that is that I’m opening a popup in Sloane Street. Next to Chanel and Pucci. It’s amazing. And the space is huge.” I went to see her in a light-filled penthouse showroom next to the storied Museum of the Home, (set in a series of restored 18th century almshouses) on the Kingsland Road in the East End of London.

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Temperley London Fall 2026

For fall 2026, Alice Temperley went straight to Hollywood—old Hollywood. The glossy, smoke-filled, impossibly elegant kind. Fred Astaire and Ginger Rogers. Greta Garbo. Marlene Dietrich. The icons. “I’m embracing my all-time icons,” she said at a preview, and you could feel that pull toward fantasy, toward drama, toward dressing like life might suddenly turn cinematic.

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Khaite Fall 2026

Like it or not (and plenty of people do not), artificial intelligence is not going anywhere. The discourse is loud, the anxiety is real, the creative-industry handwringing is nonstop—but Stacey Bendet? Fully on board. Last season she called the current wave of tech innovation an “inspiration revolution.” This time, she went further and built an entire collection on it, very confidently naming it The Gilded Age.

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Alice + Olivia Fall 2026

Like it or not (and plenty of people do not), artificial intelligence is not going anywhere. The discourse is loud, the anxiety is real, the creative-industry handwringing is nonstop—but Stacey Bendet? Fully on board. Last season she called the current wave of tech innovation an “inspiration revolution.” This time, she went further and built an entire collection on it, very confidently naming it The Gilded Age.

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Kate Barton Fall 2026

Being one of the few genuinely young, emerging designers on the CFDA calendar already puts Kate Barton ahead of the curve. But this season she leaned into that advantage—hard—especially on the tech front. For her fall 2026 appointments, she skipped the traditional showroom shuffle entirely and turned the whole thing into an experiment in augmented reality and AI. Upstairs, guests scrolled through images of the collection on a model set against an AR backdrop, courtesy of Amazon.

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Christian Cowan Fall 2026

It was the night before Valentine’s Day, and Christian Cowan had hearts in his eyes. Like, fully. “I just really, really, really love this collection,” he said, and you could tell he meant it in that slightly stunned way—like he surprised himself. He talked about approaching it differently than anything he’s done before, which, coming from him, feels both dramatic and… kind of brave. The biggest shift? Time. Actual time. The luxury of not sprinting headfirst into the abyss. Standing in a stairwell in a West Chelsea studio before the show, Cowan admitted it’s never been harder to be a young, independent brand right now, with the cost of everything—production, rent, air, existence—going up, up, up.

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7 For All Mankind Fall 2026

During the pandemic, a Y2K revival came and went; however, 7 for All Mankind’s newly appointed creative director, Nicola Brognano, is not ready to give the renaissance up just yet. Though 7 for All Mankind is generally known as an accessible mall brand, Brognano wanted to use styling to widen the label’s possibilities.

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Ulla Johnson Fall 2026

“It’s almost 25 years now that I’ve been in business,” Ulla Johnson said, and you could hear the weight of that number land. Not triumphantly. More like… wow. With every new horrifying global crisis (and there have been many, thank you very much), she talked about having to recommit—again and again—to the things she actually believes in. Strength and softness. Beauty and power not canceling each other out. Colour. Craft. Fabric that makes you stop and feel something. The good stuff. The things worth defending when everything else feels a little on fire.

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