A grand Georgian façade, faux railings, Richard Quinn engraved above the door like it’s always been there. A fantasy in bricks and mortar. This winter’s set wasn’t just escapism—it was a scene. “It’s after midnight, the end of a private black-tie party,” Quinn explained, setting the tone like a director calling action. “Maybe it’s a pre-wedding dinner, maybe it’s the day after—and the guests are leaving. It’s snowing. The moon is up.”
Richard Quinn’s Spring 2025 collection was all about event dressing, capturing the magic of clothes tied to cherished memories. “We wanted to create pieces people will treasure forever,” Quinn shared, reflecting on the honor of crafting wedding dresses.
Richard Quinn confidently declared, ‘We print everything in-house. We cut everything in-house.’ His words resonated immediately after a show held in a freshly carpeted salon at the Andaz London—a venue enveloped in 900 square meters of his iconic floral fabric. Quinn emphasized that despite the external beading process, every other aspect of production remains in- house, ensuring minimal waste.
