Miuccia Prada and Raf Simons, always right on time, are back at it again—this time throwing some major side-eye at the whole "algorithm" situation. And honestly, they couldn't have picked a better moment. Just days after Meta finally decided to tweak Instagram’s settings for teen users (under a bit of pressure, mind you), Prada and Simons sent a message of their own about the algorithmic rabbit hole we’re all living in.
Adrian Appiolaza, now in his third season leading Moschino, is proving to be quite the fashion historian. He’s not just reviving Franco Moschino’s legacy for today’s crowd—he’s offering up a full-on crash course in the tastemakers and trends of decades gone by. His show felt like a tour through various fashion subcultures, each detail meticulously curated by someone who clearly has a deep love for the archives.
To the upbeat remix of *Everything is Romantic* by Charli XCX herself (yes, she made it *just* for the show), Giuliano Calza unveiled his Spring 2025 collection, “Flowers of the Concrete.” And where did this all go down? At the Italian stock exchange, right in front of the infamous “L.O.V.E.” sculpture by Maurizio Cattelan—the one with the giant middle finger.
Max Mara’s Spring 2025 Ready-to-Wear collection, showcased at Milan Fashion Week, was a fusion of fashion and science, with creative director Ian Griffiths drawing inspiration from the Apple TV+ series *Lessons in Chemistry* and trailblazing women in science like Hypatia, the 4th-century philosopher and mathematician.
