Valentino Spring 2025 Ready-To-Wear:

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Michele transformed the vast basement of the arena into a dreamy, otherworldly space. Loveseats, chairs, and ottomans were draped in dust covers, sitting atop cracked mirrored floors, along with armoires and oversized bird cages, creating a scene that felt like wandering through an old mansion, uncovering forgotten treasures or awakening old ghosts. Michele, ever fond of metaphors—both visual and literal—set the mood with ambient music filling the space as familiar faces like Elton John, Harry Styles, Florence Welch, Coleman Domingo, and Damiano David from Maneskin gathered.

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Mcqueen Spring 2025 Ready-To-Wear:

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Seán McGirr's second collection for Alexander McQueen opened with a sharply tailored suit, its lapels rolled together at the chest, as if bracing against an unexpected London downpour—or perhaps a metaphorical storm from critics. McGirr faced heavy scrutiny after his debut last season, stepping into the shoes of Sarah Burton, who had not only been Lee Alexander McQueen's right hand but had led the brand with great success for over a decade. The Irish designer's introduction was bound to be difficult, and the choice of a remote warehouse in Paris for his first show, combined with a chilly, rainy journey, didn’t help win him immediate favor.

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Andreas Kronthaler for Vivienne Westwood Spring 2025 Ready-To-Wear:

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The collection, titled *Calibrate*, marked a notable shift for Andreas Kronthaler. For the first time since fall 2014, it focused entirely on womenswear, moving away from the gender-fluid offerings that had defined the line. Kronthaler emphasized this new direction, explaining, “These are clothes designed for women, not men." Unlike previous collections, this one didn’t rely heavily on historical references, save for a few subtle period elements. "For once, it's just about the clothes—clothes that symbolize a strong, feminine woman, which is what we need more than ever right now," Kronthaler said.

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Ottolinger Spring 2025 Ready-To-Wear:

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Just minutes before the Ottolinger show, co-founder Christa Bösch was spotted backstage on her knees, snipping away at the hem of a long black dress. Meanwhile, out on the runway, a massive, beached shark with a bloodied mouth created a dramatic scene, marking the exit for the models. Despite its ominous appearance, the shark wasn’t meant to be gory or grotesque.

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Isabel Marant Spring 2025 Ready-To-Wear:

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Why seek adventure in the countryside when you can do it in the streets of Paris? That seemed to be the vibe Isabel Marant was going for in her latest collection for next spring. She found her inspiration in the early ‘80s, drawing on the rebellious spirit of Annabella Lwin from Bow Wow Wow and their hit "Go Wild In The Country." But rather than just borrow from the past, Marant infused her signature laid-back style, resulting in effortlessly cool clothes with an edge.

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Hermés Spring 2025 Ready-To-Wear:

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Hermès designer Nadège Vanhee had a clear vision for her latest collection: “I wanted to express assertive sensuality,” she shared. “It’s about the feeling of summer, a feel-good summer, and the connection you have with your skin.” But instead of looking to the past for inspiration, she focused on elevating the sheer trend in a way that would resonate with Hermès’ luxury aesthetic, blending it seamlessly with the brand’s signature leather pieces.

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