Michael Kors Fall 2026

Michael Kors Fall 2026

Pandemic time straight-up stole Michael Kors’s 40th anniversary party back in February 2021. Gone. Vaporized. No champagne, no speeches, no victory lap. So now—half a decade later—it’s 45, and honestly? That feels like something worth lingering on. Only Ralph Lauren and Norma Kamali on the New York Fashion Week calendar have been doing this longer, which is… not nothing. Talking about longevity in the days leading up to the show, Kors shrugged it off in the most Kors way possible: consistency, paired with inconsistency. Which sounds like a contradiction until you realize it’s basically been his whole deal.

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Proenza Schouler Fall 2026

Proenza Schouler Fall 2026

Rachel Scott was technically named creative director of Proenza Schouler just days before last September’s New York Fashion Week show, but today? Today felt like the real beginning. This was the first collection she actually touched from start to finish—no handover energy, no transitional fog—stepping fully into the role left behind by Jack McCollough and Lazaro Hernandez, who’ve since packed up for Paris and the Loewe dream. The room showed up for her, too. Maria Cornejo. Veronica Leoni from Calvin Klein. Raul Lopez of Luar. A proper designer roll call. Which feels even more impressive when you remember Scott has her own Diotima show in four days. Casual.

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Collina Strada Fall 2026

Collina Strada Fall 2026

Hillary Taymour called the show The World Is a Vampire and, honestly… where’s the lie. Nobody in the room was about to argue—least of all the Collina Strada girlies she gathered up tonight, half of whom were wearing her signature bug-eye sunglasses indoors, at night, like absolute pros. Commitment to the bit. Respect. Taymour has always been very good at this part—the world-building part. From the bug sunglasses to the bug rings (collectible! obsessive! slightly unhinged!) to shoe collabs with Puma, Vans, and Ugg, she’s built a whole ecosystem.

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Coach Fall 2026

Pinned to Stuart Vevers’s fall moodboard were all the usual suspects and then some: a baby-faced Jodie Foster, a sun-bleached California skateboarder, ’70s flares, and—because of course—a still from The Wizard of Oz, a movie he’s watched every year since he was a kid (which feels important, actually). Meanwhile, Coach’s Q2 numbers are doing their own little victory lap, skipping merrily down a very real gold brick road. Call it design wizardry. Call it timing. Either way, the brand is very much not lost in the woods.

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Tory Burch Fall 2026

Tory Burch Fall 2026

It started, apparently, with her dad’s corduroys. Which—OH MY GOD—feels almost aggressively normal in a moment where everything else feels… not. Tory Burch said she was asking herself the big question backstage (the one we’re all quietly panicking about): what actually lasts? What sticks around when the world feels loud and chaotic and kind of exhausting. And her answer wasn’t some grand, conceptual thesis—it was familiarity. Memory. Her father’s worn-in trousers. Practical. Slightly slouchy. Completely unpretentious. Clothes that have lived a life.

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Lafayette 148 Fall 2026

Lafayette 148 Fall 2026

Lafayette 148 started thirty years ago with the kind of clothes that don’t scream for attention—quiet, competent, very I’ve got this. A white button-up. Proper suiting. The basics. And after spending the last year doing the whole anniversary victory lap, Emily Smith decided to loop the fall collection straight back to the beginning. Not nostalgically, not sentimentally—but methodically. She went into the archives and started really looking. At how things were made. At seams. At construction. At the factory floor itself (which, honestly, feels kind of radical right now).

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Narciso Rodriguez Rouge

Narciso Rodriguez Rouge

Honestly, I wasn’t even in the mood for one. I was in that strange, flat, post-everything state where you wander into a store just to kill time, test blotters with zero expectations, and assume — correctly, most of the time — that nothing is going to move you. Fragrance fatigue is real. Everything smells either aggressively sweet, aggressively clean, or aggressively… expensive in a boring way.

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Loro Piana AW25 Campaign

Loro Piana AW25 Campaign

I find myself writing this only days after returning from Milan, where the air—still weighted with the residue of late-summer humidity and the faint, persistent tremor of industry anticipation—felt almost eerily aligned with the release of Lord Piana’s latest campaign. It is a campaign that, for reasons both aesthetic and personal, has already been described by several contributing editors as “a soft revolution,” the sort of work that slips in quietly but lingers long after the typical commercial cycle has moved on.

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THIS BAG WEIGHS MORE THAN MY EMOTIONAL BAGGAGE!!!!
Small bags had their moment. They were cute, they were curated, they held… nothing but delusion and a lip gloss. This Autumn/Winter? We’re carrying everything.

THIS BAG WEIGHS MORE THAN MY EMOTIONAL BAGGAGE!!!!

There’s a kind of poetry in the way we’ve all collectively decided that small bags are, frankly, over. Too delicate. Too curated. Too “I only carry my keys and confidence.” This season, the pendulum has swung hard in the opposite direction—toward the Maxi Bag, that unapologetically oversized emblem of chaos and chic practicality.

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