In his fall 2024 collection, designer Giuliano Calza presented a more introspective take on pop-infused fashion. Contrary to what the title might imply, there were no sexual undertones; instead, Calza delved into childhood memories and experiences.
Throughout his three-year tenure at Fendi, Kim Jones has remained steadfastly devoted to a singular muse: Delfina Delettrez Fendi, scion of the house. Prior to this afternoon’s show, Jones enthusiastically reaffirmed this stance, declaring, ‘I will always say that. Because she is just so chic and because of the way she dresses. And when you put it all together, it’s about the idea of function in life.’
The dimly lit venue of Etro’s show revealed imposing effigies—masks inspired by Greek tragedies. Aptly named “Act,” the collection hinted at a potential career pivot for Marco De Vincenzo, Etro’s creative director. With a playful jest, he confessed to feeling torn between authorship and interpretation, a constant struggle that both weighed on him emotionally and fueled his creativity. The masks, symbolic of this inner turmoil, took center stage.
This title encapsulates the essence of the show, where identical twins transform into '70s-inspired icons, blurring the boundaries between high and low fashion, grunge and glam. Get ready to hit play on your own personal runway, as Dean and Dan Caten take you on a sartorial journey that celebrates individuality and rebellion against the mundane.
In the bustling world of Milan fashion, where brands undergo seismic transformations, Domenico Dolce and Stefano Gabbana stand as seasoned architects. With nearly four decades of expertise, they not only understand their identity and purpose but also excel in executing their vision.
After his globetrotting escapades last season, Matthieu Blazy of Bottega Veneta found himself backstage, contemplating the everyday. He mused, ‘In the world we inhabit, what meaningful impact can our creations have?’
In a finely orchestrated dance between desire and mortality, Simone Rocha’s hauntingly captivating collection navigated the delicate balance of longing for what remains elusive while avoiding the powerful forces we’d rather not confront. This particular show marked the culmination of a three-part cycle. The previous London collection, aptly named ‘The Dress Rehearsal.’
On Valentine’s Day, Zendaya served as a stylish preview for Roksanda Ilincic’s fall collection when she confidently donned a burgundy jacket and tunic layered over pants during her London press appearance for Dune: Part Two. This impeccably tailored ensemble set the tone for the Roksanda show at Tate Britain today, drawing an audience brimming with actors and artists.
Richard Quinn confidently declared, ‘We print everything in-house. We cut everything in-house.’ His words resonated immediately after a show held in a freshly carpeted salon at the Andaz London—a venue enveloped in 900 square meters of his iconic floral fabric. Quinn emphasized that despite the external beading process, every other aspect of production remains in- house, ensuring minimal waste.
Mark Fast stumbled upon inspiration for his fall collection while wandering a graffiti-covered street in Milan, aptly named after Italian designer Joe Colombo. Curiously, he paused and pondered, ‘Why am I stopping here?’ The moment felt organic, a serendipitous encounter.
