Dilara Findikoglu Fall 2025

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Up until about a week ago, Dilara Findikoglu wasn’t even sure she had a venue. And then she did—a warehouse in the loosest, most lawless sense of the word. Technically, it hosts Slimelight, London’s longest-running goth club night. Realistically, it looked like a place where you might get shaken down for cigarettes or conscripted into an underground fight ring. Climbing the damp, cavernous stairs, you were greeted by a welcoming committee in the form of a Metropolitan Police notice: VICE PATROL OFFICERS OPERATE IN THIS AREA. OFFENDERS WILL BE PROSECUTED. Perfect.

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Di Petsa Fall 2025 Fall 2025

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Dimitra Petsa has been deep in the trenches of love. Not just the saccharine, rom-com kind, but the all-consuming, boundary-blurring, body-worshipping kind—the stuff of erotic literature, Venus in Furs, divine sexuality, and feminist sexual theory. She’s been reading, obsessing, and writing—because of course, she’s writing a book. A whole book, coming out this year, dedicated to the very concept behind this collection: reclaiming female sexuality and desire, stripped of shame, on its own terms.

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Central Saint Martins MA Fall 2025

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Let’s be real—if London Fashion Week ever lost its spark, Central Saint Martins MA graduates would be the ones to reignite the flame. They basically are London fashion. No exaggeration. Fourteen alumni—across multiple generations—are showing this week. Roksanda, Simone Rocha, Mark Fast, Ashish, Richard Quinn… the list goes on. Then there’s the new guard: Paolo Carzana, Kazna Asker, Pauline Dujancourt, Jawara Alleyne, Charlie Constantinou, Yaku. And don’t forget the ones making waves off-runway with lookbooks—Steve O Smith, Stefan Cooke, Derrick. Alexander McQueen walked so they could run. And for decades now, CSM grads have been everywhere, tucked inside the design studios of the world’s biggest fashion houses—Kim Jones is just one name in an endless sea.

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Burberry Fall 2025

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Could Daniel Lee actually be the one to save Burberry? Like, for real this time? Last season was… let’s call it restrained (some would say underwhelming, but let’s be nice). Blame it on the inevitable executive shuffle—it happens. But this time? Burberry was back, in full capital-F Fashion mode. Tate Britain’s Duveen Galleries turned into a who’s who of celebrity guests, the kind of blockbuster lineup that screams important fashion moment. But hype can only carry a brand so far. At the end of the day, the clothes have to hit.

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Bora Aksu Fall 2025

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Bora Aksu’s East London studio is lined with cracked china dolls. Their faces are chipped, their bodies fractured—each one carrying a quiet kind of tragedy. “I collect them wherever I go,” he says, surveying the room like a curator of forgotten souls. “But only the broken ones. The ones that have been rejected. I save them, and I mend them.”

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Marni Spring 2025 Ready-To-Wear:

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The Marni show unfolded in the brand’s headquarters, an expansive and minimalist space bathed in moody, dark red lighting. Unlike the usual chaos of fashion week, there were no throngs of screaming fans vying for a glimpse of celebrities. Instead, a maze of seemingly random chairs surrounded three sleek black grand pianos, creating a disorienting yet intimate atmosphere.

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Burberry Spring 2025 Ready-To-Wear:

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This collection took a deliberate step away from the whimsical touches we’ve come to expect—gone were the duck hats and hot water bottles, replaced by a sharper focus on practical, marketable pieces. The iconic Burberry trench coat elements—storm flaps, epaulettes, shoulder vents, Napoleon collars, and belts—were cleverly reimagined across various garments, from open-backed dresses to twinsets dotted with poppers, and cropped jackets with feathered collars.

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Marques’ Almeida Spring 2025 ready-to-wear Show:

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The Marques'Almeida Spring 2025 Ready-to-Wear collection took a bold dive into the past, pulling from 17th and 18th-century influences and reworking them with a modern twist. Unveiled at London Fashion Week, Marta Marques and Paulo Almeida looked to Baroque art and Dutch paintings, weaving this historical richness into the fabrics and details that made the collection stand out.

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